![]() ![]() ![]() Is evident he really dont like this album at all. ![]() Is he getting paid to keep it real on the review or what? Okay we already know the nigga Samir Siddickhead or whateva his name is, is a straight game hater or G-Unit lover or something. He could have definitely used more Dre-type beats, but it was a good performance. The album does fall apart in the middle, but picks back up from the Scott Storch track. I was expecting more from the Kanye produced track, but I was not expecting what came out of it. I am going to buy the Deluxe Edition just because I have bought all of his work. I have to say that the album is worth buying. I been a Game fan for years, and I have sat back from all the other postings because their was too much division. ![]() The songs where he is rapping in their style are just crazy. Some of his songs are good because he is paying homage to Nas, Tupac, Biggie, and Easy E. I am very surprised DJ Khalil was no where on this project. Production was so much better on Doctors Advocate. It comes close to first, but not so much. (Los Angeles Times) is the third studio album by rapper The Game. Stream & Download The Game mixtape NWA2016 from. Dre-esque production, instead relying on a soundscape punctuated by rolling drum-lines, prevalent samples, and twinges of G-Funk. Side-steps the Doctor’s Advocate’s empty grasps at Dr. This is the opinion of Samir Siddiqui and if you disagree feel free to leave a comment giving your thoughts on the review and album. His newest project, L.A.X., certainly suffers from stretches of uninspired rapping, but Game is clever enough to armour his album with a string of all-star guest-spots and a host of big-name producers. Geffen Records/Interscope 6.5/10 Written By: Samir Siddiqui The Game’s eagerness to engage in any and all rap beefs might be perceived as a legitimate hunger for competition, but in actuality, his latest barbs and jabs have been weak attempts at filling the holes in his somewhat underwhelming fresh material. ![]()
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